December 17, 2021 – March 6, 2022
The Taubman Museum of Art
Reception to be held in 2022.
I am pleased to share that 'Amma’s Kitchen' was selected for inclusion in Homeward Bound, the second juried triennial at the Taubman Museum of Art in Roanoke, Virginia. Nandini Makrandi, Chief Curator of the Hunter Museum of Art in Chattanooga, Tennessee, was invited to curate this exhibition of recent work in all media by artists currently residing in Virginia. The exhibition was rescheduled due to the COVID-19 pandemic and will be taking the form of a virtual exhibit until the physical museum show in November 2021. Please sign up for my newsletter via the form at the bottom of this page to receive updates on my exhibition schedule.
An opening reception and art talk will be held in early 2022. Sign up to my newsletter via the form at the bottom of this page to receive updates on this and other upcoming events.
Pictured: Amma's Kitchen, oil on canvas, 30x40in.
A Tale of TWo CABINS
Curator: Scott Clowney, Assoc. AIA
Presented by AIA|DC
This hour-long art talk was held in conjunction with the exhibition 'Lisa Noble: A Tale of Two Cabins' which was on display in the Fall of 2021.
"In 2017, artist Lisa Noble’s life turned inside out with the sudden loss of her father. As a result, she began spilling her grief and memories onto the canvas. The intimate scenes of her family’s Canadian cabins were a series that she had just started a few months earlier. No longer a tourist looking back at old photos, Lisa was forced to view the cabins in a very different yet deeply meaningful way, working through loss to communicate the pleasures of these important locations." —Scott Clowney, Assoc. AIA, Director of Exhibitions and Public Programs, District Architecture Center, Washington, D.C.
Pictured: At Last (Before Dreaming), 2018, oil on canvas, 30x30in.
past virtual Exhibition
Assembly of me
Presented by Caitlin Berry Fine Art
In 2020, 'Assembly of Me' marked my return to figuration, exploring themes of fashion illustration, domestic interiors, the female figure and archetypes. Fifteen portraits were presented in a virtual gallery created by Montgomery + Townsend Architecture and Design
Pictured: Assembly of Me, Virtual Gallery Rendering
a miniscape for the medusa project
I am pleased to share that I was recently interviewed by Angela Cappetta, NYC wedding photographer and founder of The Medusa Project, an arts non profit whose mission is to bring arts and arts programming to farming families in rural New York.
The Medusa Project is a fully artist-run non profit whose focus is to bring art and arts awareness to farming families in rural New York. They are currently raising funds to purchase an historic building in Medusa, New York which will serve as a public art space for their programming.
To support their fundraising shop, I am honored to have donated ‘Homestead’, a miniscape that reflects specifically upon the branch of my family tree who were farmers. I can vividly recall spending my days running through the summer fields and at suppertime listening to my relatives talk about their day and the challenges of rural life. All of that is gone now. They, the homestead, the tractors, the barn cats … but that feeling of being part of something that is hard wired into the land has never left me. As always I am grateful to have my art to connect me to my past.
Pictured: Homestead, Miniscape, oil on board, 2 x 2in.
2019 national juried exhibition
First Street Gallery, New York, NY
Curated by Nancy Margolis
June 20 – July 13
First Street Gallery is an artist-run nonprofit contemporary art gallery located in the heart of Chelsea, steps from the High Line. They first opened their doors in 1969 with the mission of bringing art and community together.
The annual National Juried Exhibition provides non-member emerging, mid-career, and established talent with exposure to the New York City art community. In presenting their work, artists are afforded an opportunity to receive critical review and foster public understanding and appreciation of art.
Pictured: Installation View, second from left: Still Life in Summer, oil on canvas, 24 x 24in.
MEMORIES OF HOME
November, 2018 – January, 2019
Art Galleries at the Rachel M. Schlesinger Concert Hall & Arts Center
'Memories of Home' included a selection of 11 paintings from various stages of the series—from when the first marks were put down while I was still wobbly in the knees, to the major turning point that occurred with the sudden loss of my father in May 2017. These scenes represent my efforts to visually map out the context of my early development.
Pictured: Installation View of 'Memories of Home'
A VISIT WITH BONNARD'S WORKS ON PAPER
My first job after graduating from art school was at a gallery. That experience was fundamental in my development as an artist because I learned the business side of art. A rare view for many of us. However, the most important aspect of my time there was the relationship I could have with the artworks and the artists who made them. On a daily basis I enjoyed a one-on-one dialogue with art that I cannot replicate in as close a context. I lost that when I left the gallery until a recent and rare occasion.
In February I was able to spend some time at the National Gallery to view works on paper by Pierre Bonnard (1867–1947). Bonnard’s work is the primary reason why I found my path to becoming a painter.
Pictured: Lisa Noble visits the National Gallery of Art in Washington, D.C. to view works on paper by Pierre Bonnard. 2018.
MANDALA FOR AFTER DREAMING
I was honored to be invited by fellow artist David Mordini to participate in the Joan Hisaoka Healing Arts Gallery and Smith Center for Healing and the Arts ALCHEMICAL VESSELS annual benefit and exhibition.
Every purchase of a benefit ticket supports Smith Center for Healing and the Arts and their mission to develop and promote healing practices that explore physical, emotional, and mental wellness and lead to life-affirming changes to those affected by cancer.
The show's theme was: OUR COMMON THREAD. Artists were asked to create a unique piece of art from a simple circular birch panel, responding to the artist’s personal, transformational, creative journey through the universal truths of pain, joy, healing, and living. Artists were also asked to write a poem for their artwork:
Without loss there would be no healing.
We share this equal, inseparable, inevitable reality.
This unity of opposites complements, it does not conflict.
After dreaming we all wake to the other side of everything.
Pictured Recto Verso: Mandala for After Dreaming, 2018, mixed media and found objects, 14.25”h x 14”w x 6.5"d; Private collection.
WORKING WITH THE LEMON COLLECTIVE
The Lemon Collective is a workshop space in Washington D.C. where the city’s creative and curious gather to teach and learn new skills. Founded by hardcore crafters Holley Simmons, Kathryn Zaremba, and Linny Giffin along with partner Lily Cox, The Lemon Collective plays host to a variety of weekly workshops and events led by artists, entrepreneurs, and activists.
Having recently updated their space, The Lemon Collective in partnership with Monochrome Collective invited me to install a number of my paintings and works on paper. Potomac Lifestyle Magazine featured the founders and the space in their March 2018 issue. I feel very lucky to have been able to support their wonderful vision with my art.
Pictured: Installation view at The Lemon Collective, Washington, D.C., 2018. Photo by Kate Warren.